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Ingenium,
1998.0060.003
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- OBJECT TYPE
- BACKDROP/PHOTOGRAPHIC
- DATE
- Unknown
- ARTIFACT NUMBER
- 1998.0060.003
- MANUFACTURER
- Unknown
- MODEL
- Unknown
- LOCATION
- Unknown
More Information
General Information
- Serial #
- N/A
- Part Number
- 3
- Total Parts
- 5
- AKA
- N/A
- Patents
- N/A
- General Description
- .3-.4 backgrounds are combination of fabric and synthetic materials, secured at top edge to wooden frame, and suspended from metal wire hanger. .3-.4 wrapped in heavy plastic; stored in hardbody synthetic (resin ?) case.
Dimensions
Note: These reflect the general size for storage and are not necessarily representative of the object's true dimensions.
- Length
- N/A
- Width
- N/A
- Height
- N/A
- Thickness
- N/A
- Weight
- N/A
- Diameter
- N/A
- Volume
- N/A
Lexicon
- Group
- Photography
- Category
- Studio & set equipment
- Sub-Category
- N/A
Manufacturer
- AKA
- Unknown
- Country
- Unknown
- State/Province
- Unknown
- City
- Unknown
Context
- Country
- United States of America
- State/Province
- New York
- Period
- Karsh's New York studio operated late 1940’s to early 1990’s. Not used after 1992.
- Canada
-
Part of a large collection of photographic equipment used by Yousuf Karsh, Canada's internationally honoured portrait photographer. From 1932 to 1992, Mr. Karsh operated from his principle studio in Ottawa. He also maintained studios in NYC and London, England. In 1999 Mr. Karsh was named one of the 100 most influential people of the century. His prints and negatives, and personal papers are in the national archives. - Function
-
General: Used in the area behind the subject of a photograph, to eliminate distracting images, influence lighting, suggest desired physical setting or mood, etc. Specific: Used to provide a solid background against which subject may be photographed. - Technical
-
These background units were used by Karsh as neutral fields in his standard set-up. The backgrounds (.3-.4) themselves were probably designed and constructed by Karsh/his assistants. The largest was placed directly behind the subject, the smaller off to one side. A small light was placed between the two or directly behind the subject, to illuminate the background, and separate it from the subject. Karsh used virtually identical backgrounds in his Ottawa studio (see 870317). He also had a large revolving wooden backdrop in his Chateau Laurier studio: this was dismantled and disposed of in 1992. (see ref.1, jerry fielder notes) - Area Notes
-
Unknown
Details
- Markings
- N/A
- Missing
- N/A
- Finish
- .3 Large background has pebbled brown synthetic surface on one side, woven textured flat white fabric (?) on reverse. Mounted on wooden dowel painted dark brown. .3-.4 Wrapped in heavy black plastic. Pt case is black; secured with woven black fabric straps.
- Decoration
- N/A
CITE THIS OBJECT
If you choose to share our information about this collection object, please cite:
Unknown Manufacturer, Background, Unknown Date, Artifact no. 1998.0060, Ingenium – Canada’s Museums of Science and Innovation, http://collections.ingeniumcanada.org/en/id/1998.0060.003/
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